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In this special issue you will see that there is one more area where FINA leads the field. You will discover an amazing article on new blended events, a fascinating comparison of the current Olympic qualifying times with the winning times from the 70s and 80s, an amazing piece on the very first responses of brand-new water polo rules, to name a few extremely popular columns, such as One Star, One Discipline, Household News, etc.

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Workshop # 1: The tamburieddhru (tahm-booh-ree-AH-doo) is a frame drum used to lead the pizzica tarantata, an ancient kind of tarantella born in the area of southern Italy called the Salento, the peninsula forming the heel of the Italian boot. Led by the Salentine master drummer Enzo Fina, the workshop presents historical and symbolic attributes of the drum exposing the individuals to an understanding of the cultural qualities, the human struggle, and the healing procedure that identify the instrument.

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MUSICNTICA will offer about a lots drums. We motivate everyone to bring along a tambourine (single head drum with a frame embellished with jingles or small cymbals) in case no more of our drums are available.  Solution Can Be Seen Here  # 2: Enzo Fina teaches the actions of the tarantella according to the way he discovered them while growing up in his native Salento.

The Salento is the area in which the dance was substantiated of the psycho-social phenomenon referred to as tarantismo. This was a state of prostration and deep anxiety due to an alleged spider bite. The victim, usually a female, was expected to dance for a prolonged length of time in order to get rid of the venom.

Roberto Catalano teach and play the dance as it was performed throughout the treatment and demonstrate how it eventually turned into an enjoyable, courting endeavor. In addition, they provide another dance called danza scherma, a dance that imitates a skirmish with knifes, directly originated from the tarantella. Workshop # 3: The bena, pl.